Diana Weber: ODMARANJE / RESTING

A very witty piece, containing a high amount of self-criticism.

We can immediately identify the state of mind which, unfortunately, befalls all artists very frequently - and that is the dreaded lack of inspiration. 

The creator of it is depicting himself as empty and tired - utterly abandoned by the Muses.

What is interesting here is the depth achieved by adding mirror to the composition - which symbolizes the intimate communication of the artist with herself.

We are the witnesses to the artist's questioning of creative blocks, futile pursuit of inspiration, searching for the answers within... and also to the internal dialogue rich with a whole spectrum of contradictory emotions - the artist is angry, persuasive, blackmailing, promising, bribing, begging, raging, suffering...and in the end, we are witnessing the surrender, defeat and passive waiting - which is one of the hardest things, difficult for any of us to accept...

Duhovit uradak – koji nosi veliku količinu samokritike.

Naime, odmah možemo iščitati da se ovdje opisuje stanje koje se, nažalost dosta često, javlja kod svih umjetnika –a to je strašni gubitak inspiracije.

Stvaralac  ovdje sam sebe prikazuje kao praznog i umornog – potpuno su ga napustile njegove muze.

Ono što je zanimljivo jeste dubina koja je postignuta uvođenjem ogledala u kompoziciju – čime je prikazana intimna  komunikacija umjetnika  sa samim sobom. 

Vidimo njegovo preispitivanje  blokada, bezuspješnu potragu za inspiracijom, traženje odgovora od sebe samoga … Svjedočimo njegovu unutrašnjem dijalogu koji obiluje čitavom lepezom oprečnih osjećaja – on se ljuti, uvjerava , ucjenjuje, obećava, podmićuje, moli, bjesni, pati… da bi na kraju svjedočili i njegovoj predaji, prepuštanju i pristajanju na čekanje – što je jedna od najtežih stvari, na koju svi nerado pristajemo…

Erik Vellmar: MOJA BAKA JE ODLIČNO PRIČALA VICEVE / MY GRANDMA WAS EXCELLENT AT TELLING JOKES

When it comes to this photograph, it is very true that a picture is worth a thousand words.

Right away, even if we are not familiar with the title, we can tell that this artwork was inspired by an elderly person. Notice how the dominant element, which takes up the central space in the composition (the chili pepper), symbolizes the old, wrinkled skin by its texture.

We also discover that the chili pepper has, in spite of everything, retained its bold colors - which tells us that the person that this artwork is referring to has also succeeded in retaining her youthful spirit.

Furthermore, the pepper is curved - which clearly indicates that we are dealing with a rebellious person which does not conform to the rules of society.

And finally - the fact that it is a chili pepper - reveals that we are to find inside the portrayed subject is a very focused and strong intellect which is able to (due to its rich life experience and lively spirit) easily define and approach all of the possible life situations in an appropriate way.

A grand portraiture with the use of minimalistic style.

Applause!

Za ovu sliku doista vrijedi pravilo da govori više od tisuću riječi. 

Odmah, čak i ako nam njen naziv i nije poznat, mi znamo da je ovo djelo inspirirala starija osoba. Opažamo kako dominantni element, koji zauzima centralno mjesto u kompoziciji (papričica), svojom teksturom savršeno podražava izgled stare, smežurane kože. 

Otkrivamo i da je papričica, uprkos svemu, zadržala svoje žive boje – što nam govori da je pomenuta osoba također uspjela očuvati svoj svježi, mladalački duh.
Nadalje, papričica je zakrivljena – što poručuje da imamo posla sa buntovnom osobom - za koju pravila ne važe.

I na poslijetku – to je ljuta papričica – što će reći da je unutar portretiranog subjekta koncentriran jak intelekt koji može, zahvaljujući njegovu životnu iskustvu i bistru duhu, jako lako definirati i prići na pravi način svim životnim situacijama.

Majstorsko portretiranje u minimalističkom stilu.

Aplauz!

Olivera Davidović – Vučković: DANAS SAM DOBRE VOLJE / I'M IN A GOOD MOOD TODAY

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'I'm in a good mood today' is an artwork that simply radiates optimism. The atmosphere is fully charged with positive energy. The artist has skilfully set up the composition in a way that gives us the feeling that the structure shown in the photography will, in a matter of moments, burst out of its frame and engulf us in joy.

It is the very same feeling of the infinite inspiration which I recognize in the marvelous painting by Jackson Pollock 'Mural on Indian Red Ground' (shown below for those of you not familiar with it).

'I'm in a good mood today' is a true refreshment, and honestly, I would like to have it in my collection.

“Danas sam dobre volje”  je uradak potpuno protkan optimizmom.  Atmosfera  je nabijena pozitivnom energijom. Umjetnik je majstorski postavio kompoziciju tako da dobijamo osjećaj da će se struktura sa fotografije svakog trena, doslovice, izliti i preplaviti nas ugodom.

To je isti onaj osjećaj bezgranične inspiracije koji prepoznajem i na sjajnoj slici Jackson Pollocka ““Mural on Indian Red Ground”. (niže prikazano, za Vas koji niste upoznati s dotičnim djelom)

“Danas sam dobre volje” pravo je osvježenje i iskreno – volio bih ju imati u svojoj kolekciji.

Jackson Pollock, 'Mural On Indian Red Ground'

Galina Ivanov: REMINISCENCIJA / REMINISSENCE

This artwork demands an in-depth study of itself. The artist is trying to mislead us - by offering us, at first glance, a sappy emotional story.
However, 'Reminissence' is everything but - it tell the story of enslavement caused by inescapable attraction. The addiction (in this case, I personally believe it is the addiction to narcotics) is powerfully incarnated in the given symbols. Magnetically seductive and ominous it (the addiction) is in conflict with symbolically represented author that yields to it, although she knows it is the path to annihilation.
Thanks the schizoid atmosphere of this artwork, we can literally HEAR the outcry of her lost, abused soul begging for help.
In short - this is an extraordinary depiction of the fall and self-destruction and the inability of the natus to resist it...

Ovaj rad zahtijeva studiozan pristup. Umjetnica želi da nas zavara - nudeći nam, na prvi pogled, sladunjavu priču.

A "Reminiscencija" može biti sve ali samo ne to - ona pripovijeda o ropstvu izazvanom neodoljivom privlačnošću. Ovisnost (intimno, smatram da je ovdje u pitanju ovisnost o narkoticima) je ovdje tako moćno otjelovljena.

Magnetski privlačna i zlokobna ona (ovisnost) je suprotstavljena simbolički predstavljenoj autorici koji pristaje na nju - iako zna da je to put uništenja.

Zahvaljujući šizofernoj atmosferi, ovdje naprosto možemo ČUTI urlik njezine izgubljene, zlostavljane duše koja poziva u pomoć.

Ukratko - ovo je izuzetan prikaz pada i destrukcije i nemogućnosti natusa da se tomu odupre...

Rahani Packard: TRAKTAT O FEMINIZMU / TRACTATE ON FEMINISM

I have to admit - this artwork, which was submitted to me for review quite a while ago, is among the top 7 of my favourites.
The edgy humor which it radiates is contagious, while the story it tells is actually rather simple - this is the illustration of the contempt towards the generally accepted definitions of a woman is regularly (in the media and otherwise) represented as a mere sexual object - property of a man, without her own voice.
This is the female perspective of the situation - a protest against such society and its perfidious manipulative appendages and institutions (primarily, the fashion industry and the marketing machinery which exploits the female body in the most heinous possible way).
(Suggestion)
An alternative title for this artwork which could convey the message even more clearly: 'Misogyny on the pillar of shame'


Priznati ću - ovaj rad, kojeg sam prilično davno dobio na komentiranje, jedan je od mojih 7 omiljenih.

Britki humor kojim odiše je zarazan, dok je priča koju nosi zapravo prilično jednostavna - ovo je slika prijezira prema općeprihvaćenim definicijama žene koja se redovito (u medijima i uopće) prezentira kao seksualni objekat - vlasništvo muškarca, koje nema pravo glasa. 

Ovo je žensko viđenje situacije - protest protiv takvog društva i njegovih perfidnih manipulativnih pipaka - institucija (pri čemu se prvenstveno misli na modnu industriju te marketinšku mašineriju koja u svom radu eksploatira žensko tijelo na najgnjusniji mogući način).

(Prijedlog)

Novi naziv za ovaj uradak koji bi jos jezgrovitije mogao prikazati ovu poruku bio bi: Mizoginija na stubu srama.

Tamara Jakovljević: Ako nisi s nama, onda si protiv nas / If you're not with us, you're against us

Tamara Jakovljević: Ako nisi s nama, onda si protiv nas / If you're not with us, you're against us

Tamara, tvoj rad je jako slojevit - paznju posmatraca naprosto zakiva za ovdje vjesto prikazane turobne osjecaje patnje izazvane neprihvacanjem drustvenih konvencija od stane pojedinca. To je prikaz drustva koje odbacuje one koji su drugaciji, koji se ne uklapaju u njegove standarde...zbog cega se javlja moranje...prisila...kompleks...zelja da se udovolji...zbog cega se i javlja oponasanje (jaje zaogrnuto ljuskom luka) u zelji da se ostvari PRIPADANJE.

Tako jednostavno i ujedno snazno prikazan potisnuti osjecaj gnjeva koji kljuca i svakog trena prijeti eksplozijom revolucije. 

Velicanstveno!! 

Tamara, your work is indeed very multi-layered - the viewer's attention is simply chained to skilfully portrayed gloomy feelings of suffering caused by individual's lack of acceptance of social conventions. This is an exposé of a society which rejects anyone who is different, who doesn't fit in with its standards...which leads to compulsion...forcing...complexes...the will to please...which leads to imitation (egg coated in onion peel) out of desire to experience BELONGING.

Such a simple yet powerful depiction of a supressed rage that keeps pecking from the iside of a shell and threatens with the explosion of a revolution. Magnificent!

Strahinja Kovač-Bitanga: STUDIJA BOLI / STUDY OF PAIN

Znak PITANJA je ovlaš naznačen - čisto da se nasluti i kroza nj pronikne u simboliku izopćeničkog života ljudi na marginama društva, koji rasipaju fragmente svoje ličnosti kroz borbu sa okruženjem izazvane strahom od iskazivanja vlastite seksualnosti. 


Strahinja Kovač-Bitanga

The QUESTION mark is barely/loosely formed  here - it serves only as a notion through which we are to take a peek into the symbolism of  the renegade and outcast lifestyles of people living on the margins of society, who scatter away the fragments of their shattered personalities during the course of struggle with their surroundings, caused  by fear of expressing their own sexuality.


Strahinja Kovač-Bitanga

Strahinja, izuzetno zanimljiv rad...ta predstava praiskonskog grcevitog i anksioznog trzaja destrukcije kojim se odlucuje prekinuti tisina koja raste i gusi ljude u nedefiniranim odnosima... zaista izuzetno... 

Extraordinarily interesting piece of work, Strahinja...this display of primal, spastic, anxious strike of destruction which decides to end the growing silence which suffocates people stuck in undefined relationships...truly extraordinary...